I sat down, opened up a new word document, and strung together a scene. I didn’t open up my chapter breakdown grid. I didn’t start trudging away on another lengthy character profile. I didn’t even get on facebook to update my facebook status. I just started with one line of dialogue, followed by a bit of exposition, and then some more dialogue, and then a character description and a short action sequence. The next thing I knew, I had a full page of a first draft completed. And then I had three.
This is a personal victory that I cannot begin to exaggerate.
I tend to be a bit of an over-planner. Actually, I’m a violent over-planner, who usually ends up getting tired of a great idea after planning it for so long that I no longer want to execute it. But not today.
Today I was a doer. I was able to actually accomplish something, even if it was mere 1,600 words.
I was spurred on by chapter I read today in the book Pen On Fire by Barbara DeMarco-Barrett about the process of rewriting. She says that “You can learn to appreciate revision, especially if you frame it like this: At least you have pages that need revising, a major accomplishment in itself.”
It then occurred to me how silly it was that, even though I’ve been “working” on my novel idea for several months now, creating chapter outlines and writing character histories and maps and timelines and whatnot, I hadn’t actually written anything.
I’d been held back by fear that it wouldn’t be great, that I’d never do my great idea justice. DeMarco-Barrett says that “fledgling writers mistakenly learn that coming up with great ideas is the most important thing, not rewriting. They also believe they should be able to say exactly what they mean the first time out of the gate. Nothing else in life is like this. Who prepares a fabulous meal the first time they cook? Or plays a piano concerto at will?”
She’s right, dammit. I need to get a first draft out there and then beat the crap out of it before it will start looking like I want it to. How ridiculous of me to sit there planning it for months and months, when the only way I’ll get to really know my characters is by writing them, and then rewriting them. The only way I’ll get to that amazing plot is to write a really shitty one first, with a lot of holes and a bunch of poorly written, one-dimensional characters.
Let’s do this. I’m diving in.